I’ve been working on some feminist erotic retellings of
traditional fairy tales about women who love women (and sometimes fairies and
shape-shifters and other creatures).
This is my blog to talk about the ideas I’ve explored while
writing them. First up: the wild wood.
I’m calling the collection Into the Wild Wood because woods reoccur so many times in fairy
stories. They are the places we much not stray, for fear of wolves or bad
spirits or monstrous feminine creatures (of which more later), for fear of
discovering things we ought not and learning to stick to the path set by our
parents. Forest even spring up, unbidden, invading safe interior spaces, as in ‘Sleeping
Beauty’. But in subverting the wild wood, and celebrating love and sex, woods
have the potential to become a site of exploration, curiosity, adventure, self-discovery
and possibility.
When writing my stories, I want the wild wood to keep its
wildness, and even some of its danger, because that sort of wood has much more
erotic potential. Writing fairy stories that are over-sanitised is
impossible—they are stories defined by the leaking all over of a particularly
gothic sort of desire. If they’re not, then they’re not really fairy tales at
all. But I’m reclaiming the wild wood for all those good things too: for sexual
adventure and self-realisation, and a whole world of possibilities.
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